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1. Spectacle Examples In Sentences
2. Spectacle Noun Examples
3. Spectacle Lynching Examples
4. Examples Of Spectacle
5. Spectacle In A Sentence
6. Spectacle Examples
7. Use Spectacle In A Sentence

View Spectacle usage in sample sentences. Examples 'The spectacle has changed, but our eyes remain the same' Joseph Joubert 'To witness two lovers is a spectacle for the gods' Johann Wolfgang von Goethe 'Application particularly in the spectacle. Spectacle is a component part of tragedy.Spectacle is best understood as the visual effects of a tragedy, and Aristotle argues that it has more to do with “the art of the property-manager” than with the art of the poet. Thus, spectacle is the least important component of tragedy.

C# (CSharp) DataAccessLayer.Entities Spectacle - 2 examples found. These are the top rated real world C# (CSharp) examples of DataAccessLayer.Entities.Spectacle extracted from open source projects. 161+7 sentence examples: 1. He polished his spectacles with a handkerchief. Her spectacles glinted in the moonlight. She pushed her spectacles up her nose and sighed. I've lost a pair of spectacles. The gold rims of his spectacles glinted. In the evening, St. Peter's and its accessories were illuminated—by far the most brilliant spectacle I ever saw. GLANCES AT EUROPE HORACE GREELEY Thus all about us is the moving and shifting spectacle of riches and poverty, side by side, inextricable.

Introduction

Spectacle is designed to make complicated electronics projects simple, so you can focus on what you do best: making cool things!

In this tutorial, we'll show you how to make an animated diorama (with sound effects!) using Spectacle.

Spectacle Examples In Sentences

Techniques of note

We created the tiles for the diorama using this project from Thingiverse. We 3D printed the tiles, then painted them accordingly.

The layout was designed in Inkscape, then etched into the wood with a laser cutter. The laser cutter was also used to cut out the slots that the moving pieces ride up and down in. Of course, this step is optional. The tiles could easily be placed by hand, and the cuts could be made with a hobby knife or similar woodworking tool.

Prior Reading

This tutorial assumes a basic familiarity with the Spectacle system. If you haven't yet, read the following tutorials for all the basic information you'll need to know to get this project going:

Spectacle User's Guide

Spectacle Audio Board Hookup Guide

Spectacle Button Board Hookup Guide

Spectacle Motion Board Hookup Guide

Spectacle Noun Examples

Animating the Diorama

To animate the diorama, we 3D printed a longer arm for the servo motor. The length of the arm must be approximately equal to the linear distance the moving component is expected to cover.

We then attached a piece of 0.020' (0.5mm) music wire to the end of the arm. The wire must be affixed in such a way that it can rotate freely as the arm moves. We passed it through a hole in the arm and bent it to a shape that will be retained by the hole.

The other end of the wire was affixed to the slide mechanism to which the tiles were glued. In that case, a small loop is printed on the back of the slide mechanism and the wire is again bent into a shape that will be retained by that loop. The wire is rigid enough to push the tiles into a new position, but flexible enough to bend when the stop is hit.

Adding Sound

We elected to keep the sound simple for this project, using the delaying mechanism of the Audio Board to trigger the sounds at the appropriate time rather than trying to trigger the sound by having Mario hit another switch.

Finding sound effects is left as an exercise for the reader, to prevent possible copyright or trademark issues. A quick web search will turn up sound effects for most projects, however.

Spectacle Project

The Spectacle project for this setup is very simple. It consists of a Button Board, a Motion Board, and an Audio Board. We'll just give you the pages of the project here, rather than walk you step-by-step through making a Spectacle project. Below, find the main page of the app, with all the boards in place. Remember that the order the boards are connected in must match the order they appear in the app list in.

Here are the settings for the Button Board. Note that, although we're triggering four separate actions, we only need to have a signal on one channel.

Here we see the Motion Board settings. You'll note that there's a slight delay between receipt of the triggering signal and activation of the first motion. That accounts for the brief delay between triggering the Sound Board and the sound actually playing. The sliders are opposite because the position of the motors is mirrored on the inside of the project.

Finally, here are the settings for the two sound events on the Sound Board. By layering them like this, we create the illusion of triggering the second sound when Mario hits the block without having to put a switch on that block.

Note that these are timing values for my system and you'll probably have to change them if you do your own. I figured these out by playing around with it a bit.

Resources and Going Further

For general Spectacle information, please check out the user guide:

Spectacle User's Guide

For more Spectacle fun, check out the additional tutorials below:

Spectacle Sound Kit Hookup Guide

Spectacle User's Guide

Spectacle Light and Sound Kit Hookup Guide

Spectacle Audio Board Hookup Guide

Spectacle Light Kit Hookup Guide

Spectacle Button Board Hookup Guide

Spectacle Motion Board Hookup Guide

Spectacle Inertia Board Hookup Guide

Spectacle Lynching Examples

In general, spectacle refers to an event that is memorable for the appearance it creates. Derived in Middle English from c. 1340 as 'specially prepared or arranged display' it was borrowed from Old Frenchspectacle, itself a reflection of the Latinspectaculum 'a show' from spectare 'to view, watch' frequentative form of specere 'to look at.'^[1] The word spectacle has also been a term of art in theater dating from the 17th century in English drama.

The masque and spectacle[edit]

Court masques and masques of the nobility were most popular in the Jacobean and Caroline era. Such masques, as their name implies, relied heavily upon a non-verbal theater. The character lists for masques would be quite small, in keeping with the ability of a small family of patrons to act, but the costumes and theatrical effects would be lavish. Reading the text of masques, such as The Masque at Ludlow (most often referred to as Comus), the writing is spare, philosophical, and grandiose, with very few marks of traditional dramatic structure. This is partially due to the purpose of the masque being family entertainment and spectacle. Unlike The Masque at Ludlow, most masques were recreations of well-known mythological or religious scenes. Some masques would derive from tableau. For example, Edmund Spenser (Fairie Queene I, iv) describes a masque of The Seven Deadly Sins.

Masques were multimedia, for they almost always involved costuming and music as a method of conveying the story or narrative. Ben Jonson, for example, wrote masques with the architect Inigo Jones. William Davenant, who would become one of the major impresarios of the English Restoration, also wrote pre-Revolutionary masques with Inigo Jones. The role of the architect was that of designer of the staging, which would be elaborate and often culminate in a fireworks show.

The Hollywood spectacular[edit]

Examples Of Spectacle

When the zoetrope and nickelodeon technology first appeared, the earliest films were spectacles. They caught the attention of common people. They showed things people would rarely see, and they showed it to the wide audience.

• Thomas Edison filmed the Eiffel Tower, actual Native Americans in a simulated attack, and even celebrated beauty queens.
• Louis Lumière filmed a train pulling into a station in 1895 (L'Arrivée d'un train en gare de La Ciotat). The camera was in front of the train, and the train 'came' directly at the viewer. It astonished people unaccustomed to the illusion created by moving images.

Spectacle and society[edit]

For the notion of the spectacle in critical theory, see Spectacle (critical theory).

Within industrial and post-industrial cultural and state formations, spectacle has been appropriated to describe appearances that are purported to be simultaneously enticing, deceptive, distracting and superficial. (Jonathan Crary: 2005) Current academic theories of spectacle 'highlight how the productive forces of marketing, often associated with media and Internet proliferation, create symbolic forms of practice that are emblematic of everyday situations.'^[2]

Spectacle can also refer to a society that critics describe as dominated by electronic media, consumption, and surveillance, reducing citizens to spectators by political neutralization. Recently the word has been associated with the many ways in which a capitalist structure is purported to create play-like celebrations of its products and leisure time consumption.

The work of French Marxist thinker Guy Debord is perhaps the best-known example of this critical analysis; see his The Society of the Spectacle (1967). Debord has described the Spectacle as 'the autocratic reign of the market economy which had acceded to an irresponsible sovereignty, and the totality of new techniques of government which accompanied this reign.'^[3]

See also[edit]

Spectacle In A Sentence

References[edit]

1. ^Online Etymological Dictionary
2. ^Thompson, Alex; Stringfellow, Lindsay; Maclean, Mairi; MacLaren, Andrew; O’Gorman, Kevin (2015-03-24). 'Puppets of necessity? Celebritisation in structured reality television'(PDF). Journal of Marketing Management. 31 (5–6): 478–501. doi:10.1080/0267257X.2014.988282. hdl:10871/16559. ISSN0267-257X.
3. ^Debord, Guy (1988). Comments on the Society of the Spectacle. Verso. p. 3. ISBN1859841694.

External links[edit]

Spectacle Examples

• Holonet on the Lumière Brothers retrieved August 1, 2005.
• Milton, John. An online critical edition of Comus retrieved July 30, 2005.

Use Spectacle In A Sentence